Case study · Hospitality · Website design

Hotel
El Ganzo.

An underground recording studio, murals painted mid-stay, Mexico's first B Corp hotel, and a website that finally says it out loud.

ClientHotel El Ganzo, San José del CaboRoleCreative direction · Strategy · UX/UI designBrand line“It's a trip, not a destination”
Hotel El Ganzo homepage hero: A Different Way to Experience Los Cabos over the hand-painted headboard mural

70

Adults-only rooms on the La Playita marina

1st

Hotel in Mexico with B Corp certification

WHY?

The first item in the main nav: attitude leads

2012

How far the El Ganzo Sessions archive reaches back

$290

Where the master suite starts, price tags drawn as crowns

The old site read like a generic luxury Cabo property, amenity bullets and a calendar widget. The studio, the artists, the B Corp story never surfaced. We rewrote the homepage as a magazine spread and let the personality lead. The funnel follows.

01 · The brief

A hotel that doesn't compete
with its category.

Adults-only, beachfront in La Playita, with a working basement studio that has hosted Khruangbin, Julieta Venegas, Natalia Lafourcade, Kings of Convenience, and L'Impératrice. Artists in residence drop murals and room interventions mid-stay. Chef José Luis Hinostroza runs Baja-Med on the roof.

A creative-soul traveler arriving from Condé Nast or NYT Travel had no signal they'd found the right place. The brief: give them one at first scroll, and treat sustainability as a qualifying credential, not a footer link.

Explore page: the rooftop infinity pool over the Puerto Los Cabos marina, with the Explore index

02 · Home & the arts

The homepage is a magazine.
The arts page is a venue.

Hover either page and it scrolls. Home runs from the mural headboard through the cultural calendar, dining, the area guide, and the #hotelelganzo wall. Arts & Music carries the residency program and El Ganzo Sessions: Rayland Baxter cutting “Lady of The Desert” in the underground studio, archives back to 2012.

Hotel El Ganzo homepage: full page from mural hero through cultural calendar, dining, blog, press, and the #hotelelganzo wall

hover to scroll

The homepage: a magazine spread, top to bottom

Arts & Music page: artist in residence hero, cultural calendar, El Ganzo Sessions with Rayland Baxter, and the arts wall

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Arts & Music: sessions, residencies, full moon yoga

03 · The cast

Winking bananas. Price-tag
crowns. A goose at checkout.

The hotel's hand-drawn universe runs through the UI, accommodations flanked by lashed bananas, rates crowned like royalty, room cards tilted like polaroids. Open the booking overlay and the masked rider from the headboard flies past on a goose. Even the funnel is in character.

Accommodations section: winking banana illustrations beside polaroid-tilted room cards with crown-shaped price tags
Booking overlay: the masked rider on a goose flying beside check-in, check-out, and Book Now

04 · Goodies

Four venues, one page,
zero corporate voice.

Ganzo Downstairs with its reserve-a-table module, Gachoo Suhi Bar on the roof, the Ganzo de Platya beach club, in-room dining from the custom minibar cart: all under a nav item that says GOODIES instead of F&B. Hover to scroll the page.

Goodies page: Culinary Delights with Ganzo Downstairs, Gachoo Suhi Bar, the beach club, and in-room dining

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Goodies: downstairs, rooftop, beach, minibar

05 · The press & the pages

Dining tilts like a scrapbook.
Press clippings pin like one.

Section frames sit slightly off-axis, doodle clouds and cacti float in the margins, and the press room, Food & Wine, Gear Patrol, MSN: reads like a corkboard of clippings rather than a logos row.

Dining and spa sections: tilted photo frames with hand-drawn cloud and cactus doodles in the margins

Dining & spa: frames off-axis on purpose

Press room: Food & Wine, Gear Patrol, Sand In My Suitcase, and MSN clippings pinned like a corkboard

Press room: clippings, not logo salad

The result

The right travelers recognize
it as theirs at first scroll.

The artists, the couples-with-taste, the Cabo regulars who refuse to stay at a chain. The site now gives them the signal the property always deserved. Booking stayed accessible; it just stopped owning the narrative.

“Some properties need a booking engine. El Ganzo needed a stage.”

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